Dooeun Choi has been recently worked as art director of Da Vinci Creative 2015/2017 and the chief curator of Art Center Nabi in Seoul. Her recent projects include #BODY#morph on the ARTJAWS (2018); Neotopia: Data and Humanity at Art Center Nabi in Seoul (2017–18); Han Youngsoo: Photographs of Seoul 1956–63 at ICP (International Center of Photography) at MANA (2017); Why Future Still Needs Us: AI and Humanity at Art Center Nabi in Seoul and QUT Art Museum in Brisbane (2016–17); BIAN, at Arsenal Montreal (2016); Choe U-ram: Anima, at Borusan Contemporary in Istanbul (2013); Mediacity Seoul 2012 Biennale, at the Seoul Museum of Art in Seoul; and ZERO1 Biennial 2012, at Zero1 Garage in San Jose, California.
Choi was the former creative director of Art Center Nabi in Seoul and a visiting scholar at The School of Art, Media, and Technology at Parsons The New School in New York. Choi will join as a faculty member at the School of Visual Art next year. As a curator, Choi treats the space as a laboratory for experimenting with the types of experience and aesthetics that can emerge from combining and recombining scientific knowledge, artistic practices, and historical narratives.
Prelude 2016 | Section Artworks:
‘Unwind’ by Herman Kolgen
‘Temptation of the Dancing Mask – Dark eating machine’ by Ujoo+limheeyoung
‘Light Wave’ by Team Void
‘Waterlight Graffiti’ by Antonin Fourneau
Prelude 2016 | Exhibition Venue:
A biennial public art event of light, video and sound.